THE EBS REIDMAR 752 PROVIDES 'BOUTIQUE-QUALITY' BASS SOUND POWERED BY A BRAND NEW 750 W LIGHTWEIGHT POWER AMP DEVELOPED BY EBS THAT HANDLES A 2-OHM LOAD. IT GIVES YOU THE PEACE OF MIND THAT YOUR AMP WILL HANDLE ANY GIG. 

EBS sound quality in a lightweight amplifier

The latest generation of Reidmar amps combines EBS's world-famous analog preamp technology with EBS's lightweight power amp design.

The new power amp module in the Reidmar 752, developed by EBS, is tailored for bass and handles a 2-ohm load. It provides the optimal output for any EBS speaker cabinet without risking blowing any speakers and delivers a solid, great tone with lots of punch and clarity. EBS-developed Soft Clip technology protects the amp from overload while preserving bottom and solid bass tone at higher volumes. 

The powerful EQ of the analog preamp helps dial in any sound you like with ease, and the Drive adds harmonics and dirt when needed. The built-in adjustable Compressor handles any unwanted peaks for a more controlled sound. 

Your amplifier on and off the stage

Connect your amp to the front-of-house or any recording device via the balanced XLR-output. The amp is safe to use without connecting a speaker if wanted. 

Connect headphones for late-night practice sessions at home, and use the Aux input to add music to play along. 

The Reidmar 752 got your back

The amp fits nicely in a laptop bag, and the lightweight saves your back when traveling with your Reidmar 752. 

Other features include:

• 4-band EQ
• Effects loop (send and return)
• Line out
• Remote Control Connections to add the EBS RM-4 footswitch to control Character (on/off), EQ-section (on/off), Drive (on/off), and Mute.

The Reidmar 752 is equipped with a D-class power amp developed by EBS providing 750 W RMS @ 2 ohms load. Weight is 3.8 kg (8.3 lbs). The amp's footprint is reduced by 13% compared to the 750-model.

EBS Reidmar 752

• Input Impedance 1 Mohms / 100 pF
• Gain Range -00 - +30 dB
• Character Filter Shelving, High/Low Pass,  
  +7 dB @ 40 Hz, -2 dB @ 800 Hz,+3 dB @ 10 kHz
• Tone Controls,
  Bass Shelving +/-18 dB @ 60 Hz
  Mid Bandpass Filter 100 – 6000 Hz +/- 12-15 dB
  Treble Shelving +/-18 dB @ 6 kHz
  Bright Shelving +15/-0 dB @ 10 kHz
• Drive min/max 0/34 dB
• Balanced Output   -10 dBv, Pre/Post EQ, GND Lift
• Remotes Output Remote Jack RING = Mute / TIP = Drive
  Filter Jack RING = Filter Mode / TIP = Character
• Output Power   750 W RMS @ 2 ohms load (450 W RMS @ 4 ohm, 230 W RMS @ 8 ohm)
• Dimensions (WxDxH)  36.3 x 26.2 x 7.6 cm (14.3 x 10.3 x 3.0")
• Weight   3.8 kg (8.3 lbs.)

Introduction to the Reidmar 752 by Dan Veall

Demo from Bonedo.com

Video Review/Demo from BassTheWorld.com

Commercial for the EBS Reidmar 752

Filmed by Peder Carlsson. Music by Anders Molin. Produced by EBS.

Video Review/Demo from BassTheWorld.com

Review from Bonedo.com

"The new EBS Reidmar 752 should be on the radar of all bass players who are looking for a flexible bass top with full power. In terms of sound, the top has an enormous bandwidth thanks to the excellently coordinated features and can therefore shine in almost every musical genre. The tube emulation delivers very convincing results and expands the amp's sound palette with warm and very organic-sounding overdrive sounds." - 4.5 of 5 Stars

Read the entire review here:
https://www.bonedo.de/artikel/ebs-reidmar-752-test/

Review from Bassgearmag.com

"...a great clean amplifier for super glassy slap bass and percussive tap technique, yet shape-shifting seamlessly into a gritty vintage personality without the mass associated with valves, big cabinets, and power transformers. "

Read and view the entire review here:

https://www.bassgearmag.com/bassic-review-ebs-reidmar-752-bass-head/

Artist playing EBS Reidmar 752 amps:

MonoNeon
Mike D'Antonio - Killswitch Engage
Peter Iwers - The Halo Effect
Mona 'Demona' Lindgren - Thundermother
Steve DiGiorgio - Testament
Josse - Raised Fist
John Campbell - Lamb Of God
Julian Vaughn
Jackie Clark
Keith Duffy - The Corrs, Ronan Keating, etc

John Campbell, Lamb of God. Photo by Bryce Hall.